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Books on the Blog: Moo: a novel

by Lynne Dorfman

OCEAN!

a wide silk of bluesilver

spotted with treegreen islands

beneath

a banner of bluewhite sky

41Ypg52oXoL.jpgIf you loved reading Love That Dog and Hate That Cat, you will not want to miss Sharon Creech’s newest tween novel, Moo. This story is about a family’s momentous move from the city to rural Maine, and an unexpected bond that develops between twelve-year-old Reena and one very ornery cow.

When the family moves to Maine, Reena is dreaming of picking blueberries and eating all the lobster she wants. Instead, she and her younger brother Luke are volunteered by their mother to help an eccentric neighbor named Mrs. Falala who has a pig named Paulie, a cat named China, a parrot named Crockett, a snake named Edna, and an enormous belted Galloway named Zora.  What happens next is amazing…

Told in a blend of poetry and prose with defining variation in print of different fonts and 51-5S7JNGBL.jpgsizes and unusual placements of words on pages to create word pictures for the reader, this delightful story will warm your heart. It is just right for so many middle schoolers who are between wanting to be children and wanting to be adults. The story has a full range of emotions from light and funny to sad and reflective. The characters are so different that they complement each other completely. Moo is a story about opening our minds and hearts to new experiences and letting others into our life so that we can grow, develop relationships and insights, and be renewed. Themes of loss, friendship, courage, and family are represented here in a story to love long after you finish reading the final page!


minneapolis-2015-lynne-paul-mary-and-me-5Lynne R. Dorfman is a Co-director of PAWLP and an adjunct professor at Arcadia University. She is eagerly awaiting the second edition publication this spring of her first book, Mentor Texts: Teaching Writing Through Children’s Literature, co-authored with PAWLP fellow Rose Cappelli.  Currently, she is writing Welcome to Writing Workshop with Stacey Shubitz. Lynne enjoys her role as President of Eta chapter of ADK and working with women educators who tirelessly raise monies for charities

Teacher to Teacher: Helping Children Become Better Spellers – What Parents Can Do

By Lynne R. Dorfman

As educators and parents, we realize the importance of spelling words accurately. Research indicates that spelling words in isolation does not transfer into daily writing habits. Even though the Friday spelling tests are popular, the time invested into memorizing word lists for spelling purposes does not really translate into time well spent. Parents like to help their children with schoolwork, and studying for weekly spelling tests is something most parents feel comfortable with in contrast to helping their children with math homework (since the new math programs develop math concepts and skills in a very different way than parents and grandparents remember).

If we give our parents a weekly or monthly suggestion to work on to help their children build spelling awareness and insight, then we may be able to substitute help with weekly spelling lists for something much better – the frequent and simultaneous use of real strategies that will help our students become better spellers. Rather than rote memorization, spelling should be viewed primarily as a process of conceptual learning. In reading and writing workshop and across the day, we teach students to spell in a variety of ways. We want our students to use their phonemic awareness, phonics-based classroom instruction, environmental print (word walls, etc.), tools such as dictionaries (on-line as well as print versions such as dictionary.com), thesauruses, spellcheckers, and knowledge of patterns to engage in written response.

In addition, we want our students to rely on a growing understanding of root words and their affixes gained in word study work in core reading time and guided reading groups as well as work embedded into content areas. Furthermore, our students should use their clear mental images of words often found in the stories, poems, and textbooks, and chapter books they are reading as well as their own written work to strengthen long-term spelling memory. Read more

“Writing to Learn” Can Be Sketchy by Paula Bourque

For many of us in our content area classrooms, we are encouraging more writing to learn.  We want our students to research and explore topics and concepts through writing.  I truly believe writing not only reflects our thinking, but it can shape our thinking as well.  As we choose the words we will put to paper we can often discover new threads of thought, more questions to explore, ideas we hadn’t emphasized before.  Sometimes the piece we started writing bears little resemblance to our final product.

 However we all know students in our classrooms who tend to copy down information verbatim, without analysis or interpretation.  They struggle to rephrase the words to avoid plagiarism rather than to reframe it into their own thoughts. They have difficulty determining importance and visualizing the information they are reading or researching. We need to find ways to help these students connect with what they are reading in order to learn more effectively. One approach may be a different kind of writing to learn…sketchnotes. Read more

Tools of the Trade: Voice Recorders

by Kelly Virgin

For years, as a part of my regular classroom writing revision routine, I have instructed students to read their writing out loud. They do this with partners; they do this with me; they do this in corners of my classroom with themselves. I have even acquired a few Toobaloos (a semi-circular tube that students can hold up to their head like a telephone), and when my students aren’t fake phoning each other across the classroom, they are mesmerized by how up close the sound of their own voices become.Image.jpg

But this year I have taken it a step further. This year I have my students record themselves reading their writing out loud. This allows them to actually experience their writing as the audience of their writing. The effect has been noticeable. Just today, I had a student who is a regular work dodger, ask to come back during lunch to make some changes to his writing and then to rerecord to see if it “sounds better.” I regularly notice students cringe when they hear a stumble in their writing and then see them return to the piece, without prompting, to revise. On a few occasions, I’ve even noticed students playing excerpts of their writing out loud for each other. With the help of some simple technology, these recorded writings have seamlessly blended into our writing workshop routine. Read more

Advocacy Comes Home

By Janice Ewing

Many of us have experienced strong emotional reactions to the election and current political climate, including for some of us, grief. My experiences at the NWP and NCTE conferences have helped me to understand that we can and must move on to action, even in the midst of that grief. I came to that realization through listening and engaging with others in critical conversations, sharing of stories from our teaching lives, communal interactions with literature, time for fellowship over food and wine, and something that had been almost forgotten – laughter.

There is much to process from all this, and some of us shared conference highlights in an earlier post, but for now, my biggest takeaway is that all of those experiences that we had as teachers at these conferences can and should be the fabric of our students’ experience as well. We can’t all get on a plane with our students to immerse ourselves in days of intense learning and bonding, so how can we bring this sense of agency and connection to our daily learning spaces? Here are some thoughts:  Read more

Books on the Blog: The Cheshire Cheese Cat

Searching for a Multi-Purpose Mentor Text

by Linda Walker

During the summer I co-teach a specialty course for young writers. I am always searching for texts I can use to show writing craft. Katie Wood Ray’s Wondrous Words gives two tenets about craft; story structure and ways with words.  So I keep that forefront when I visit a book store or a library; discover an interesting book which will appeal to young readers sh1.jpgowing an author’s craft structure and word use. But I also want a book urging readers to move beyond the story in search of answers to questions about the places, events and people within the pages of the book. Could the characters be based on real life people? Could I visit the places cited in the book online or in person? Did the events and daily living of the time period really happen? I want to show young writers how an author can weave snippets of fact into a satisfying fiction tale.  In short I want to multi-purpose the book. I found this unique package in The Cheshire Cheese Cat :A Dickens of a Tale by Carmen Agra Deedy and Randall Wright.

So begins the tale of Skilley. HE WAS THE BEST OF TOMS. He was the worst of toms. Tired of London’s seedy back alleys and fighting off Pinch, an evil tomcat, Skilley prowls the streets for a safe place to call home. As luck would have it, the innkeeper of the renown Cheshire Cheese tavern is looking for an expert mouser to eradicate cheese stealing rodents overrunning his establishment. Now mice are not Skilley’s preferred delicacy but he’ll do anything to secure a place at The Cheshire.  And so he forms an unheard of alliance with Pip, a resident mouse at the esteemed inn which attracts the famous writer and word lover, Charles Dickens (an onlooker and commentator throughout the story). There is much intrigue between Skilley and Pip as they try to hide private secrets and fears from one another and attempt to return Maldwyn, one of Queen Victoria’s prized ravens, to The Tower. Read more